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Mus\u00e9e Henry van de Velde<\/span><\/h1>\n

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Architecture et art du d\u00e9but de l’\u00e8re moderne europ\u00e9enne \u00e0 nos jours<\/p>\n

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Exposition actuelle<\/h2>\n

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GETANZTER RAUM objets bi- et tridimensionnels de Jean Kirsten, Dresde<\/span> 01 f\u00e9vrier 2025 au 30 juin 2025<\/span><\/span><\/span><\/h3>\n

\"\"<\/span><\/a><\/p>\n

Il y a plus de 110 ans, l’architecte et designer Henry van den Velde a renouvel\u00e9 les arts appliqu\u00e9s, le danseur et chor\u00e9graphe Rudolf von Laban les arts du spectacle, par leurs propres actions mais aussi par leur enseignement. Il n’est pas tout \u00e0 fait clair si van de Velde et von Laban se sont rencontr\u00e9s personnellement lors de la fondation du Deutscher Werkbund en 1907 ou dans la colonie d’artistes du Monte Verit\u00e1 pr\u00e8s d’Ascona en Suisse. Des contacts indirects ont eu lieu au moins par l’interm\u00e9diaire du sculpteur et artiste Art nouveau Herman Obrist. Leur attitude intellectuelle et artistique pr\u00e9sente en tout cas des analogies.
<\/span>Avec ses recherches fondamentales sur le mouvement humain, Rudolf von Laban a jet\u00e9 les bases du d\u00e9veloppement de la danse moderne. Il a notamment cr\u00e9\u00e9 la th\u00e9orie de l’harmonie spatiale et la Labannotation, une \u00e9criture de la danse. Tous deux utilisent les \u00ab\u00a0corps platoniques\u00a0\u00bb en r\u00e9f\u00e9rence au corps humain. Parmi les nombreux \u00e9l\u00e8ves c\u00e9l\u00e8bres de Laban figurent Mary Wigman, Sophie Taeuber-Arp et Kurt Jooss. <\/span><\/p>\n

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Depuis 2009, l’artiste de Dresde Jean Kirsten s’int\u00e9resse \u00e0 la th\u00e9orie de l’harmonie spatiale et \u00e0 la cin\u00e9tographie de Rudolf Laban. Son objectif est d’am\u00e9nager des espaces au sens d’une installation avec ses propres objets bidimensionnels ou tridimensionnels. Chaque objet pictural revendique son autonomie au sein d’une mise en sc\u00e8ne. Il attache \u00e9galement de l’importance \u00e0 l’espace vide qui se cr\u00e9e entre les objets et qui est ainsi d\u00e9fini par celui-ci.
<\/span><\/p>\n

L’exposition a \u00e9t\u00e9 inaugur\u00e9e le samedi 01.02.2025 \u00e0 15h00 dans la maison Schulenburg.<\/span><\/p>\n

L’\u00e9loge a \u00e9t\u00e9 prononc\u00e9 par le Dr Teresa Ende – Dresde.
<\/span>En duo, le musicien Wieland M\u00f6ller et le danseur\/chor\u00e9graphe Ingo Reulecke – Berlin ont r\u00e9agi aux travaux de Jean Kirsten par une performance d’improvisation.
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Patrimoine culturel mondial \u00ab\u00a0Fabrication manuelle du verre – Art nouveau \u00e0 Art d\u00e9co<\/h3>\n

du 15 Janvier 2025 au 20 Decembre 2025<\/span><\/p>\n

Apr\u00e8s le grand succ\u00e8s rencontr\u00e9 en 2024, le mus\u00e9e Henry van de Velde expose \u00e0 nouveau des verres color\u00e9s au design \u00e9labor\u00e9, de l’Art nouveau (Art nouveau 1890 – 1920) \u00e0 l’Art d\u00e9co (1920 – 1940 environ). Des pi\u00e8ces qui sont habituellement expos\u00e9es au Grassi Museum Leipzig, au Br\u00f6han Museum et au K\u00f6penicker Schloss Berlin, au Glas Museum Wei\u00dfwasser ou au Driehaus Museum Chicago. <\/span>
L’exposition est centr\u00e9e sur des verres pr\u00e9cieux de l’historicisme<\/strong>, de l ‘art nouveau<\/strong> et de l’art d\u00e9co<\/strong>, qui entra\u00eenent le visiteur dans un voyage haut en couleurs de 1850 \u00e0 1940. Les \u0153uvres d’art en verre proviennent de grandes collections priv\u00e9es.<\/p>\n

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La fabrication traditionnelle du verre fait partie du patrimoine culturel de l’humanit\u00e9<\/h4>\n

L’occasion de cette remarquable exposition est l’inscription, le 6 d\u00e9cembre 2023, de la fabrication manuelle traditionnelle du verre en Finlande, France, Espagne, R\u00e9publique tch\u00e8que, Hongrie et Allemagne sur la liste du patrimoine mondial de l’UNESCO. La verrerie Lamberts de Waldsassen est l’un des initiateurs de cette reconnaissance, Lamberts est l’une des deux entreprises au monde qui produit encore du verre plat souffl\u00e9 \u00e0 la bouche. Ce verre orne les cadrans illumin\u00e9s de Big Ben \u00e0 Londres, l’art du verre du Rockefeller Center \u00e0 New York, les fen\u00eatres de la Frauenkirche de Dresde et le lanterneau opalescent de la maison Schulenburg. <\/p>\n

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Protagonistes de la conception du verre<\/h4>\n

L’art du verre apr\u00e8s 1900 a re\u00e7u une \u00e9norme impulsion gr\u00e2ce aux innovations techniques dans la fabrication du verre.<\/p>\n

Siegfried Bing, marchand parisien d’art japonais et fondateur de la \u00ab\u00a0Maison d’Art Nouveau\u00a0\u00bb, a ramen\u00e9 de New York des verres de Louis Comfort Tiffany et avait l’exclusivit\u00e9 de la distribution de Tiffany en Europe. C’est \u00e0 Nancy qu’\u00c9mile Galle, qui avait notamment \u00e9tudi\u00e9 la zoologie et la botanique, fabriquait ses magnifiques verres \u00e0 doublage de diff\u00e9rentes couleurs, grav\u00e9s et taill\u00e9s, souvent avec des d\u00e9cors v\u00e9g\u00e9taux d’une grande pr\u00e9cision botanique. En 1901, il fonde la c\u00e9l\u00e8bre \u00c9cole de Nancy avec les verriers Auguste et Antonin Daum, ainsi que Ren\u00e9 Lalique et Gabriel Argy Rousseau. <\/p>\n

Parmi les autres entreprises c\u00e9l\u00e8bres de l’artisanat du verre, on peut citer : Delatte – Nancy (France), les Poschinger (Bavi\u00e8re), Lausitzer Glaswerke – Wei\u00dfwasser (Saxe), Loetz’ Witwe – Klosterm\u00fchle (Boh\u00eame), la verrerie Fritz Heckert – Petersdorf (Sil\u00e9sie), WMF – Geislingen (W\u00fcrttemberg).<\/p>\n

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Exposition permanente<\/h2>\n

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\u00ab\u00a0Une \u0153uvre d’art totale d’Henry van de Velde \u00e0 laquelle on peut acc\u00e9der\u00a0\u00bb.<\/h3>\n

L’unit\u00e9 de l’ensemble des b\u00e2timents<\/strong>, des espaces int\u00e9rieurs reconstruits \u00e0 l’identique et des espaces ext\u00e9rieurs, \u00e9galement con\u00e7us par van de Velde, fait de \u00ab\u00a0Haus Schulenburg\u00a0\u00bb un lieu unique.<\/p>\n

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De nombreux d\u00e9tails de construction<\/strong> portent \u00e9galement la signature de l’artiste : moulures et murs en stuc d\u00e9cor\u00e9s, boiseries, parquets et carrelages, ferronnerie des fen\u00eatres, portes, portails et escaliers, lampes et tissus d\u00e9coratifs.<\/p>\n

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A cela s’ajoutent : 32 meubles cr\u00e9\u00e9s par van de Velde et provenant de la maison Schulenburg, qui ont \u00e9t\u00e9 r\u00e9cup\u00e9r\u00e9s apr\u00e8s des recherches dans le monde entier.<\/p>\n

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Ces derni\u00e8res ann\u00e9es, des meubles des \u00ab\u00a0\u00e9b\u00e9nistes du Bauhaus\u00a0\u00bb Erich Dieckmann et Marcel Breuer, de l’architecte du Werkbund Albinm\u00fcller et des vitrines Art d\u00e9co fran\u00e7aises ont \u00e9t\u00e9 ajout\u00e9s.<\/p>\n

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Avec une centaine de pi\u00e8ces, la maison Schulenburg abrite l’une des plus vastes collections de cr\u00e9ations de livres d’Henry van de Velde<\/strong> en dehors de la Biblioth\u00e8que royale de Bruxelles.<\/p>\n

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L’exposition permanente pr\u00e9sente des \u0153uvres d’art, des publications et des documents de l’environnement europ\u00e9en et weimarien de van de Velde de 1895 \u00e0 1940, des peintures de Curt Herrmann, Georg Muche, du couple d’artistes de Weimar Hilde Linzen-Gebhard et Heinrich Linzen, Albinm\u00fcller, Otto Herbig, etc.<\/p>\n

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Visite virtuelle de la maison Schulenburg<\/h3>\n

D\u00e9couvrez virtuellement la maison Schulenburg en cliquant sur la photo.<\/p>\n

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Collections<\/h2>\n

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En plus de l’importante collection d’illustrations de livres d’Henry van de Velde, le fonds du mus\u00e9e comprend entre autres des lithographies d’Honor\u00e9 Daumier, un nombre repr\u00e9sentatif de livres pour enfants et de livres d’art \u00e0 la conception graphique originale de l’artiste anglais Arts and Crafts Walter Crane (1845 – 1915), des gravures Art nouveau, une collection sur la maison d’\u00e9dition d’art \u00ab\u00a0Der Sturm\u00a0\u00bb, des gravures d’artistes allemands des ann\u00e9es de guerre 1914 – 1918, les projets \u00e0 la d\u00e9trempe pour la peinture de la cave du conseil municipal de Gera par Heinrich Linzen (1942), des graphiques du \u00ab\u00a0modernisme de la RDA\u00a0\u00bb, ainsi que des sculptures de Guillaume Charlier, Constantin Meunier, Auguste Rodin, Jan Stursa, Georg Kolbe, Richard Engelmann, Volkmar K\u00fchn, Heidrun Feistner, etc.<\/p>\n

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<\/div>","protected":false},"excerpt":{"rendered":"

Mus\u00e9e Henry van de VeldeArchitecture et art du d\u00e9but de l’\u00e8re moderne europ\u00e9enne \u00e0 nos joursExposition actuelleGETANZTER RAUM objets bi- et tridimensionnels de Jean Kirsten, Dresde 01 f\u00e9vrier 2025 au 30 juin 2025 Il y a plus de 110 ans, l’architecte et designer Henry van den Velde a renouvel\u00e9 les arts appliqu\u00e9s, le danseur et […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1782","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/pages\/1782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/comments?post=1782"}],"version-history":[{"count":31,"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/pages\/1782\/revisions"}],"predecessor-version":[{"id":5892,"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/pages\/1782\/revisions\/5892"}],"wp:attachment":[{"href":"https:\/\/haus-schulenburg-gera.de\/fr\/wp-json\/wp\/v2\/media?parent=1782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}